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poeticasvisuais:

Jean-Michel Basquiat
Mater, 1982
acrylic and oilstick on canvas, 72 x 84 in.

poeticasvisuais:

Jean-Michel Basquiat

Mater, 1982

acrylic and oilstick on canvas, 72 x 84 in.

(via banji-realness)

fitzplesures:

tierradentro:

Henri Matisse Cut-Outs at Tate Modern (by/via)

(via museoleum)

chaambler:

ROY LICHTENSTEIN Seascape (I), from New York Ten, 1964

chaambler:

ROY LICHTENSTEIN
Seascape (I), from New York Ten, 1964

(Source: charlieambler, via shotgun-season)

moma:

Final days! Sigmar Polke closes Sunday. “A distinctive force of talent and mind.” - The New Yorker. 
[Sigmar Polke. “Untitled (Rorschach) (Ohne Titel (Rorschach)).” c. 1999. Colored ink in bound notebook, 192 pages, each: 11 5⁄8 x 8 1⁄16″ (29.5 x 20.5 cm). Private Collection. Photo: Alistair Overbruck. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.]

moma:

Final days! Sigmar Polke closes Sunday. “A distinctive force of talent and mind.” - The New Yorker. 

[Sigmar Polke. “Untitled (Rorschach) (Ohne Titel (Rorschach)).” c. 1999. Colored ink in bound notebook, 192 pages, each: 11 5⁄8 x 8 1⁄16″ (29.5 x 20.5 cm). Private Collection. Photo: Alistair Overbruck. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.]

klytaemnestra:

A lot of my work has been about the unexpected; kind of wanting to be the heroine and, yet, wanting to kill the heroine at the same time.

(via museoleum)

artchival:

Andy Warhol, Flowers, 1964
oil on canvas
Solomon R. Guggenheim Museum, NYC

artchival:

Andy Warhol, Flowers, 1964

oil on canvas

Solomon R. Guggenheim Museum, NYC

(via museoleum)

softpyramid:

Njideka AkunyiliHer Widening Gyre 2011 Charcoal, acrylic, collage and xerox transfers on paper 6 ft. × 4.5 ft.

softpyramid:

Njideka Akunyili
Her Widening Gyre
2011 
Charcoal, acrylic, collage and xerox transfers on paper
6 ft. × 4.5 ft.

(via bnsassy992)

lehmannmaupin:

Mickalene Thomas’s exhibition Femme au divan II opens Saturday at the Pavillon Bosio at the École Supérieure d’Arts Plastiques in Monaco, and runs through August 31st.
The artist will present a collection of paintings, a series of photographs, and a new video. With her unbounded experimentation and vivid imagination, Thomas evolves splendid images of black women through an astounding array of artistic and material forms, as well as through the lens of myriad art historical, cultural, and social references. 

lehmannmaupin:

Mickalene Thomas’s exhibition Femme au divan II opens Saturday at the Pavillon Bosio at the École Supérieure d’Arts Plastiques in Monaco, and runs through August 31st.

The artist will present a collection of paintings, a series of photographs, and a new video. With her unbounded experimentation and vivid imagination, Thomas evolves splendid images of black women through an astounding array of artistic and material forms, as well as through the lens of myriad art historical, cultural, and social references. 

mocada-museum:

shantellmartin:

Solo Show. ARE YOU YOU at MoCADA Museum 

Boom

steroge:

Peggy Guggenheim enjoying some quality time with (at least some of) her sunglasses, Venice, 1960s

steroge:

Peggy Guggenheim enjoying some quality time with (at least some of) her sunglasses, Venice, 1960s

(via goosebumpsfitsandmalaria)

poeticasvisuais:

Jean-Michel Basquiat
Mater, 1982
acrylic and oilstick on canvas, 72 x 84 in.

poeticasvisuais:

Jean-Michel Basquiat

Mater, 1982

acrylic and oilstick on canvas, 72 x 84 in.

(via banji-realness)

fitzplesures:

tierradentro:

Henri Matisse Cut-Outs at Tate Modern (by/via)

(via museoleum)

chaambler:

ROY LICHTENSTEIN Seascape (I), from New York Ten, 1964

chaambler:

ROY LICHTENSTEIN
Seascape (I), from New York Ten, 1964

(Source: charlieambler, via shotgun-season)

(via museoleum)

moma:

Final days! Sigmar Polke closes Sunday. “A distinctive force of talent and mind.” - The New Yorker. 
[Sigmar Polke. “Untitled (Rorschach) (Ohne Titel (Rorschach)).” c. 1999. Colored ink in bound notebook, 192 pages, each: 11 5⁄8 x 8 1⁄16″ (29.5 x 20.5 cm). Private Collection. Photo: Alistair Overbruck. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.]

moma:

Final days! Sigmar Polke closes Sunday. “A distinctive force of talent and mind.” - The New Yorker. 

[Sigmar Polke. “Untitled (Rorschach) (Ohne Titel (Rorschach)).” c. 1999. Colored ink in bound notebook, 192 pages, each: 11 5⁄8 x 8 1⁄16″ (29.5 x 20.5 cm). Private Collection. Photo: Alistair Overbruck. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.]

klytaemnestra:

A lot of my work has been about the unexpected; kind of wanting to be the heroine and, yet, wanting to kill the heroine at the same time.

(via museoleum)

artchival:

Andy Warhol, Flowers, 1964
oil on canvas
Solomon R. Guggenheim Museum, NYC

artchival:

Andy Warhol, Flowers, 1964

oil on canvas

Solomon R. Guggenheim Museum, NYC

(via museoleum)

softpyramid:

Njideka AkunyiliHer Widening Gyre 2011 Charcoal, acrylic, collage and xerox transfers on paper 6 ft. × 4.5 ft.

softpyramid:

Njideka Akunyili
Her Widening Gyre
2011 
Charcoal, acrylic, collage and xerox transfers on paper
6 ft. × 4.5 ft.

(via bnsassy992)

lehmannmaupin:

Mickalene Thomas’s exhibition Femme au divan II opens Saturday at the Pavillon Bosio at the École Supérieure d’Arts Plastiques in Monaco, and runs through August 31st.
The artist will present a collection of paintings, a series of photographs, and a new video. With her unbounded experimentation and vivid imagination, Thomas evolves splendid images of black women through an astounding array of artistic and material forms, as well as through the lens of myriad art historical, cultural, and social references. 

lehmannmaupin:

Mickalene Thomas’s exhibition Femme au divan II opens Saturday at the Pavillon Bosio at the École Supérieure d’Arts Plastiques in Monaco, and runs through August 31st.

The artist will present a collection of paintings, a series of photographs, and a new video. With her unbounded experimentation and vivid imagination, Thomas evolves splendid images of black women through an astounding array of artistic and material forms, as well as through the lens of myriad art historical, cultural, and social references. 

mocada-museum:

shantellmartin:

Solo Show. ARE YOU YOU at MoCADA Museum 

Boom

steroge:

Peggy Guggenheim enjoying some quality time with (at least some of) her sunglasses, Venice, 1960s

steroge:

Peggy Guggenheim enjoying some quality time with (at least some of) her sunglasses, Venice, 1960s

(via goosebumpsfitsandmalaria)

About:

"And the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them" - Frank O'Hara

The creative side of Wall Text.